Theatre: When in New York last week, Christian and I went to see "Chicago" on Broadway. We had both wanted to see it for awhile, particularly since the brilliant Bill Condon film a few years back that garnered a bunch of well-deserved Oscars. I was able to score some half-priced orchestra seats at the TKTS booth that was only a few block from C’s apt, and we were set.
Unfortunately, we both ended up being very disappointing. Despite the long strin
g of stars that have moved through the show since its re-opening 10 years ago, the best this show could do was Huey Lewis as Billy Flynn. The actress who played Velma Kelly (Catherine Zeta Jones in the movie) was at least 45-50 years old. The production values of the show were high-school grade at best—remember the fabulous last scene of the movie when Zelleweger and Zeta-Jones are doing their last number in front of all of those lights on the stage? The stage equivilant had long strands of tinsel that looked more appropriate for your Aunt Hilda’s Christmas tree. The orchestra took 80% of the stage, which left few opportunities for anything impressive to happen.
I got to thinking about it seems a lot times when expectations are high for something, I feel let down. I hate it when that happens. On the upside, I can’t wait to see what Condon does with the upcoming film version of "Dreamgirls". I was on the fence about the movie until I saw the preview—it looks amazing! (And GO Jennifer Hudson...)
We also caught “Casino Royale”, new James Bond flick with the hot hot hottie Daniel Craig taking over as 007, and just debonair The debonaire flake that he had turned into in the last 10 years had grown pretty tiring to me, as of the only reason he was ever able to get out of the crazy situations he found himself in was cause, you know, he’s James Bond. The new movie thankfully casts all of that schmaltz aside and instead re-introduces us to a gritty, conflicted Bond that is vastly more entertaining to observe. I was also surprised/impressed at the somewhat stunning number of times they showed Mr Craig in various states of undress, esp compared with that of his female counterparts. Score one for the boys and girls who appreciate that and note to directors – along with the interesting dialouge and story, more of scenes like in the pic for the ensuing films, please.
TV: There are a ton of great new shows on this year, but its been two old favorites that have regained their mojo this season that I think are worth mentioning here. First is "Desperate Housewives", which has ranged from thrilling (the grocery store episode) to haunting (Lynette's quiet but fierce threat to the chick who was hitting on her husband) to just downright entertaining (this season's mystery gets a bit more interesting with each week). While some of the "funny" parts seem to stretch a bit, I'm happy to say Wisteria Lane is back to its wild wacky self and I'm looking forward to see where it all goes. If you turned it off after last year's mediocrity, you should tune back in.
Another show, which I should be embarrasseds that I watch, is "The OC", which is back with a vengenance so far this year. It's added back in the self-awareness of the lunacy of the whole thing that was lost in the last two years, along with the trademark great music. If you haven't heard "Love You Till the End" by the Pouges, do yourself a favor and download it now. What a great song. The ratings have been in the cellar even for a Fox show, so this could be the last year and it would be at least good to see it go out well.
Tunes: Above & Beyond's album "Tri-State"has been in nonstop rotation on my iPod. It captures the
sweeping elements of their bestmadonnamixever of "What it Feels Like for A Girl" from a few years back and I just seem to be reaching for it again and again. Check it out, esp the minimal beauty of track 10, "Good for Me".
Another remixer that seems to be everywhere these days is Dirty South. First popping up earlier this year with some great house mixes, he has a hot electro mix of DM's classic, "Just Can't Get Enough" out now. Of course, it hasn't been released but I was able to track it down on a podcast. I just bought some new software that should allow me to manipuate these files, so stay tuned for some podcasts of my own coming in the new year.
In other genres, perhaps in reaction to the stunning disappointment her new release “20 Y.O.”, I’ve been mining Janet Jackson’s catalogue for some good music and have found comfort in the realm of “janet" and “Velvet Rope”. Its surprising how relevant and fresh both albums still feel a decade later, while the new one is D.O.A, which migh have been a more approrpriate name. At least I just found on iTunes a Bimbo Jones mix of "So Exited", which sounds like it could come from David Harness' deck at the End Up. Go on Miss Janet, where's the good stuff?
